This sensitivity to materials and ambiance extends into the gallery itself, which has grown right into a platform for modern materials apply – from furnishings and ceramics to textiles and lighting.
The roster consists of rising and established voices reminiscent of Studio JUMI, Veronika Janovec, and Marlies von Soden, alongside makers like Sanghyeok Lee, Studio Cúze, Natalie Brehmer, and Zeynep Boyan, whose work explores the expressive potential of type and performance.
“A lot of the artists we work with, we’ve recognized for a very long time,” Maj says. “That’s important for constructing belief and growing one thing collectively.” The gallery continuously collaborates with design-led practices together with Berlin artistic studio Paleworks – co-curators of the present exhibition, FLOW – ANALOG glass, Lehni, faustlight, and Obscure Objects – every contributing to an evolving inquiry on how objects form house.
Maj values the way in which the gallery holds proof of shifts over time. “I like that it’s nonetheless evolving – there are nonetheless corners that make you suppose: one thing else may occur right here,” she says. A leafy courtyard backyard in the back of the gallery flourished from a partnership with Berlin’s Royal Backyard Academy in 2023. New connections proceed to type. “The choice is curated, however there’s additionally openness,” she explains. “Some artists attain out straight, others come by means of suggestions – there are lots of paths.” Along with serving as a showroom for completed items, the gallery goals to share context and course of. “We attempt to create deeper understanding of the processes and the folks behind the work,” Maj notes.
Change is constructed into the gallery structure. “The house is allowed to alter,” she says. “I would like it to remain in movement.” This method carries by means of the present exhibition, FLOW, developed in collaboration with Yağmur Ruzgar and Ozan Akkoyun, the duo behind Paleworks. At its centre is a modular bent-steel system the pair designed throughout their time at Bauhaus College in Weimar. The construction units a tone by means of the gallery – holding some works, interrupting others, and alluring numerous makes use of.
Alongside the set up are new works by artists from the gallery’s circle: Sanghyeok Lee’s Arc collection, which abstracts on a regular basis furnishings kinds; Natalie Brehmer’s blown-glass items that echo breath and repetition; Veronika Janovec’s fractured and reassembled ceramics; and Studio JUMI’s woven textiles, which reinterpret Bauhaus methods utilizing sudden supplies.
